A Test of the
Canon EF 300mm 4.0 IS USM
By Per Inge
Oestmoen, Norway
Here is a test
of the 300mm 4.0 IS with and without 1.4x Extender, from May 03, 2005.
Among
other things you can see the results with three different Canon EOS
digital camera bodies, with three different sensor sizes. This should
be of interest for those who wonder how the "crop factor" influences
the final image with this particular focal length.
These three cameras were used:
* The EOS 1Ds
II, with a sensor size of 24 x 36 mm
* The EOS 1D II,
with a sensor size of 19.1 x 28.7 mm
* The EOS 20D,
with a sensor size of 15.0 x 22.5 mm
To
make that absolutely clear, all three cameras are highly competent
photographic tools, which will deliver excellent results when used by a
skilled photographer and combined with similarly capable lenses. Here,
an important purpose was to give an impression of what kind of
performance can
be expected from the aforementioned 300mm telephoto lens by Canon.
Some might say
that one cannot possibly see differences in quality from
pictures of the size of the smaller images that are 900 pixels
horizontally, but as you can see for yourself
that is not the case. If there are
significant differences, they will almost invariably be apparent at any
size, on screen as
well as in print.
That should be demonstrated by the 100% crops also provided for each
image. If some of you for some reason want the full images, contact me
at
pioe@coldsiberia.net.
Contents:
The first test, with the
aforementioned lens on three different Canon digital SLR bodies
The significant comparison, between the IS and
non-IS versions of this lens
My final conclusions
Image optimization
A final note
The first test
The Canon EOS
1Ds II depicted with the EF 300mm 4.0 IS:
http://www.coldsiberia.net/public/_MG_1992_900.jpg
EF 300mm 4.0 IS,
aperture 4.0, on Canon EOS 1Ds II:
http://www.coldsiberia.net/public/_V2O0987_900.jpg
A 100% crop
of this image
EF 300mm 4.0 IS,
aperture 5.6, on Canon EOS 1Ds II:
http://www.coldsiberia.net/public/_V2O0988_900.jpg
A 100% crop
of this image
EOS 300mm 4.0 IS
+ 1.4x Extender, aperture 5.6 on EOS 1Ds II:
http://www.coldsiberia.net/public/_V2O0990_900.jpg
A 100% crop of this image
EF 300mm 4.0 IS
+ 1.4x Extender, aperture 8.0 on EOS 1Ds II:
http://www.coldsiberia.net/public/_V2O0991_900.jpg
A 100% crop
of this image
EF 300mm 4.0 IS,
aperture 4.0, on Canon EOS 1D II:
http://www.coldsiberia.net/public/_I7X8822_900.jpg
A 100% crop
of this image
EF 300mm 4.0 IS,
aperture 5.6, on Canon EOS 1D II:
http://www.coldsiberia.net/public/_I7X8824_900.jpg
A 100% crop
of this image
EF 300mm 4.0 IS
+ 1.4x Extender, aperture 5.6, on Canon EOS 1D II:
http://www.coldsiberia.net/public/_I7X8826_900.jpg
A 100% crop
of this image
EF 300mm 4.0 IS
+ 1.4x Extender, aperture 8.0, on Canon EOS 1D II:
http://www.coldsiberia.net/public/_I7X8828_900.jpg
A 100% crop
of this image
EF 300mm 4.0 IS,
aperture 4.0, on Canon EOS 20D:
http://www.coldsiberia.net/public/_MG_1994_900.jpg
A 100% crop
of this image
EF 300mm 4.0 IS,
aperture 5.6, on Canon EOS 20D:
http://www.coldsiberia.net/public/_MG_1996_900.jpg
A 100% crop
of this image
EF 300mm 4.0 IS
+ Extender 1.4x, aperture 5.6, on Canon EOS 20D:
http://www.coldsiberia.net/public/_MG_1998_900.jpg
A 100% crop
of this image
EF 300mm 4.0 IS
+ Extender 1.4x, aperture 5.6, on Canon EOS 20D:
http://www.coldsiberia.net/public/_MG_2003_900.jpg
A 100% crop
of this image
EF 300mm 4.0 IS
+ Extender 1.4x, aperture 8.0, on Canon EOS 20D:
http://www.coldsiberia.net/public/_MG_2000_900.jpg
A 100% crop
of this image
Portrait of a
human, with the 300mm 4.0 IS at full aperture 4.0. As you can see, this
picture is not critically sharp:
http://www.coldsiberia.net/public/_MG_2011_800.jpg
The significant comparison
Lastly, here is
a direct comparison between the IS and non-IS versions of the Canon EF
300mm 4.0, and also a comparison to the EF 300mm 2.8 IS:
The
300mm 4.0 IS
(At full aperture 4.0)
The 300mm
4.0 non-IS
(At full aperture 4.0)
The
300mm 4.0 IS with 1.4x Extender (At full aperture
5.6)
The
300mm 4.0 non-IS with 1.4x Extender (At full aperture
5.6)
The
300mm 2.8 IS
(At aperture 4.0)
The
300mm 2.8 IS with 1.4x Extender (At full aperture
4.0)
My final conclusions
The differences
between the EF 300mm 4.0 non-IS and the EF 300mm 2.8 IS are
rather negligible, whereas the differences between the IS and non-IS
versions
of the 300mm 4.0 are very significant. This disparity in optical
performance between the two latter telephoto lenses is readily apparent
both without and with the use of
the Canon 1.4x Extender.
Based on these
results, I am of the opinion that the EF 300mm 4.0 IS could, and
should, have
been better at its maximum aperture. It delivers useful, but not
critically
sharp results at 4.0. However, the lens is after all
capable of sharp results, provided it is stopped down one step from
full aperture. The same is also the case when used with the 1.4x Canon
Extender. Thus, this lens is effectively a 300mm 5.6 IS and a 420mm 8.0
IS with the 1.4x Canon Extender.
Therefore, I
justifiably suggest that the well known and hotly debated MTF result
published at photodo.com around the year 2000, where the new 300mm 4.0
IS got a grade of 3.4 as compared to the grade 4.3 given to the older
non-IS version of the same lens, reflects a demonstrable fact. The
300mm 4.0 IS lens by Canon is not capable of critical sharpness at full
aperture, but improves visibly when stopped down and becomes a sharp
lens at 5.6. The non-IS version of 300mm 4.0 achieves critical
sharpness already at 4.0.
Image optimization
All images with
900x600 pixels have been taken into my copy of Adobe
Photoshop 7.01
. This Photoshop version is fortunately without the Product
Activation which no photographer should accept because dependence on an
activation service in order to install and use the working tools we
need to access and manipulate our own images undermines our control
over our own property, and ultimately jeopardizes the safety of our own
data.
The images were
then treated with Unsharp Mask with the values of Amount: 240-250,
Radius: 0.3, Threshold: 0.
The larger crops
are not modified in any way.
Except for the
human portrait a tripod was used in all
cases, as was mirror-lockup and self-timer. IS always turned OFF when a
tripod was used.
A final note
Often, people
who are interested in photography ask me: "What is a sharp picture?"
I have given a little thought to that question, and tentatively I would
answer something like this:
If a photographic image shows a significantly inferior amount of detail
as compared to what the photographer experienced at the moment of
exposure, there is more than likely a weak link in the imaging chain.
Of course, there is not and will never be a common consensus about what
is "a significantly inferior amount of detail," in the same way as some
people think that durable camera bodies and lenses are unnecessary for
most. I am of the opinion that these things are important whether or
not one is a "professional," and likewise I also believe that the
ability of a photographic lens to deliver (very) good sharpness, color
and contrast is indispensable for any photographer who wants to have
optimum possibilities of growth and development within his or her
chosen activity. Whether or not he or she is an amateur, semi-pro or
pro is not important, what matters is what you want and where you want
to go.
It is trivial that no equipment can make an excellent photographer and
that content, message and composition are the other crucial elements in
all photographic expression. Nevertheless the photographer who
sincerely aims to represent quality is best served by capable and
dependable quality tools at every step.
Therefore, never let anyone talk you into settling for less, always
save patiently and buy the best you can possibly afford.